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Rosa Tamarkina – 2nd Prize winner, 3rd International Frederic Chopin Piano Competition in Warsaw (1937). Rosa Tamarkina began learning piano as a very young child. She was enrolled for the children’s section of the Kiev Conservatoire where, for five years (1928–1932), her teacher was Nikolai Goldenberg.

Between 1932 and 1935 she was a student in the special children’s section at the Moscow Conservatoire. She completed the higher course at the Conservatoire in 1940, as a graduate of Alexander Goldenweiser’s piano class. She continued her studies with Goldenweiser and later (1943–1945) with Konstantin Igumnov.

Tamarkina started appearing in public at the age of 15, astounding listeners and critics with the maturity of her interpretation, temperament and virtuosity. From 1936, she developed her concert career within Russia. Regardless of whether she would play Bach, Mozart, Beethoven, Tchaikovsky, Scriabin, Rachmaninov or especially Chopin, her grasping of the work was apt, full of noble simplicity, charm and natural poetry.

Tamarkina took part in the Chopin Competition at the age of 17. Already after Stage 1 it was clear that she was running for a prize. Eventually the jury, composed of renowned pianists such as Emil von Sauer, Wilhelm Backhaus, Józef Turczyński, Józef Śmidowicz and Jerzy Żurawlew, awarded her 2nd Prize.

Professor Piotr Rytel wrote: “Younger [...] than Zak, Ms. Rosa Tamarkina [...] when it comes to her inner relationship to music might even surpass Zak. [...] Sixteen years and already such an excellent technique, complexity and ease.”

In 1946, Tamarkina started teaching at the Moscow Conservatoire, which greatly limited the number of her concert appearances. In celebration of the 100th anniversary of Chopin’s death in October 1949, a concert was held at the Great Hall of the Moscow Conservatoire where Tamarkina performed Chopin’s Concerto in F minor. As it happened, this was to be her last stage appearance.

Tamarkina is today remembered for her brilliant interpretations of Chopin’s works (Fantasie in F minor, Scherzos in B flat minor and C sharp minor, Polonaise in F sharp minor, Sonata in B minor, Nocturne in G major and Concerto in F minor), Liszt (Sonata in B minor, Mephisto Waltz, Hungarian Rhapsody No. 10, Rigoletto Concert Paraphrase), Schumann (Fantasie in C major) and Rachmaninov (Piano Concerto No. 2 in C minor). Her numerous recordings include Chopin’s Fantasie in F minor and Scherzo in C sharp minor.

Stanisław Dybowski