Congress Programme Congress Programme

Program 25.02.2010  

AUDITORIUM
[Sesja plenarna]: Opening
[Przewodniczy]: Irena Poniatowska

10 am - 10.30 am 
Opening of the Congress

10.30 am - 11 am  Zofia Helman »
Correspondance de Chopin. Aspects de la nouvelle édition (vol. 1, 1816–1831)

11 am - 11.30 am  John Rink »
Chopin’s First Editions: Documenting a Creative History

11.30 am - 12 am  Jean-Jacques Eigeldinger »
Quand Chopin annote pour une élève Das Wohltemperierte Klavier

12 am - 12.30 am 
Break

12.30 am - 1 pm 
Unveiling of commemorative plaque (Casimir Palace)

1 pm - 1.45 pm 
Concert (Casimir Palace)

2 pm - 3 pm 
Lunch

ROOM 105
[Sesja popoludniowa]: Chopin's personality, heritage and milieu
[Przewodniczy]: Zofia Chechlińska

3 pm - 3.30 pm  Ewa Zarzycka »
Nicolas Chopin dans le champ de daimonion de Frédéric Chopin

3.30 pm - 4 pm  Piotr Mysłakowski »
Le milieu educatif de Frédéric Chopin

4 pm - 4.30 pm 
Break

4.30 pm - 4.45 pm  Kuniko Inoue »
The Quest for Adolf Gutmann’s Life: New Findings Concerning His Biography (research report)

4.45 pm - 5 pm  Ewa Sławińska-Dahlig »
Adolf Gutmann as a Pianist-Composer and as a Friend of Fryderyk Chopin (research report)

5 pm - 5.15 pm  Andrzej Sikorski
The Chopin Family – the Myths and the Reality (research report)

5.15 pm - 5.30 pm  Kazumi Oshima »
A Lifelong Friendship of Exiles - Matuszyński and Chopin (research report)

5.30 pm - 6 pm 
Discussion

ROOM 106
[Sesja popoludniowa]: Interpretations of Chopin's music
[Przewodniczy]: Artur Szklener

3 pm - 3.30 pm  Eero Tarasti »
On the Semiotic Forces, Processes and Strategies Creating the Style and Signification of Chopin’s Music

3.30 pm - 4 pm  Bruno Moysan
Chopin est-il de sensibilité libérale ?

4 pm - 4.30 pm 
Break

4.30 pm - 5 pm  Nathalie Hérold »
Le role du timbre dans le renouvellement des formes pianistiques chez Chopin

5 pm - 5.30 pm  Wojciech Nowik »
In Search of Turpistic Tendencies in Chopin’s Music

5.30 pm - 6 pm 
Discussion

ROOM 107
[Sesja popoludniowa]: The influence of Chopin and his music
[Przewodniczy]: Jean-Jacques Eigeldinger

3 pm - 3.30 pm  Zbigniew Skowron »
Ludwig Rellstab critique de Chopin

3.30 pm - 4 pm  Marie-Paule Rambeau »
Chopin malmené par la critique. Un aspect de la réception de Chopin en France (XIX° et XX° siècles)

4 pm - 4.30 pm 
Break

4.30 pm - 5 pm  Rosalba Agresta »
Entre compositeur et compositeur de salon: la “canonisation” de Chopin en Angleterre (1848-1914)

5 pm - 5.30 pm 
Discussion


Program 26.02.2010  

ROOM 105
[Sesja przedpoludniowa]
[Przewodniczy]: Zbigniew Skowron

9 am - 9.30 am  Jeffrey Kallberg »
Chopin’s Pencil

9.30 am - 10 am  Jonathan Bellman »
Consumer Music as a Stylistic Context for Chopin

10 am - 10.30 am  Jolanta T. Pękacz
Chopin and the Discourse on the Old Regime under the July Monarchy

10.30 am - 11 am 
Break

11 am - 11.30 am  Ljudmila Volskaya »
Fryderyk Chopin. Overview from Ukraine

11.30 am - 12 am  Pierre Goy
Joseph Christoph Kessler - Frédéric Chopin

12 am - 12.30 am  Bożena Schmid-Adamczyk »
Le manuscrit autographe de F.Chopin, l’Etude en fa-mineur op.25 no 2 dans l’Album d’Antoni Teichman de la collection du Musée F. Chopin et G. Sand a Valldemossa

1 pm - 2 pm 
Lunch

2 pm - 2.45 pm 
Concert (Casimir Palace)

[Sesja popoludniowa]
[Przewodniczy]: Zofia Helman

3 pm - 3.30 pm  Jordi Desola
New Research about Diseases Suffered by Frédéric Chopin

3.30 pm - 4 pm  Halina Goldberg »
Chopin and the Stammbuch Tradition: Conventions and Contexts

4 pm - 4.30 pm 
Break

4.30 pm - 4.45 pm  Mariola Nałęcz »
Old and New Chopiniana in the National Library in Warsaw as a Contribution to Research on Fryderyk Chopin’s Life and Work (research report)

4.45 pm - 5.15 pm  Jerzy Miziołek »
Chopin and the University of Warsaw: A ‘Musical Genius’ among Artists and Scholars (presentation)

5.15 pm - 5.45 pm 
Discussion

ROOM 106
[Sesja przedpoludniowa]
[Przewodniczy]: Anna Czekanowska

9 am - 9.30 am  Piotr Dahlig »
Fryderyk Chopin’s Experiences with Folk-Ethnic Music in Europe

9.30 am - 10 am  Raul Meloncelli »
Chopin, Bellini and Italian Bel Canto

10 am - 10.30 am  Marco Bizzarini »
New Observations on Chopin and Contemporary Italian Vocal Treatises

10.30 am - 11 am 
Break

11 am - 11.30 am  Artur Szklener »
Rhythm of Variability in Chopin Themes

11.30 am - 12 am  Ewa Dahlig-Turek »
The Mazurka before and after Chopin

12 am - 12.30 am 
Discussion

1 pm - 2 pm 
Lunch

2 pm - 2.45 pm 
Concert (Casimir Palace)

[Sesja popoludniowa]
[Przewodniczy]: Jeffrey Kallberg

3 pm - 3.30 pm  Zofia Chechlińska »
Chopin and the Meaning of Keys

3.30 pm - 4 pm  Andrzej Tuchowski »
The Tragic, Pathos, Heroism: The Expressive Meaning of Chopin’s Use of the C Minor Key in the Context of the Romantic Tradition

4 pm - 4.30 pm 
Break

4.30 pm - 5 pm  Stefan Keym »
The Historical Context of the Tonal Dramaturgy in Fryderyk Chopin’s Piano Sonata, Op. 35

5 pm - 5.30 pm  Petra Weber-Bockholdt »
F-Dur bei Chopin

5.30 pm - 6 pm 
Discussion

ROOM 107
[Sesja przedpoludniowa]
[Przewodniczy]: Alicja Budziłło-Jarzębska

9 am - 9.30 am  Irina Nikolska
Stasov on Chopin

9.30 am - 10 am  Maja Trochimczyk »
From “Eternal Eloquence” to “What Does He Know?” – Images of Chopin in English-language Poetry

10 am - 10.30 am  David Kasunic »
The Legacy of Chopin’s Dance: Taglioni, Fokine, Mikuli, and Schenker

10.30 am - 11 am 
Break

11 am - 11.30 am  Magdalena Dziadek »
The Dispute Concerning Chopin Piano Competitions and the Polish School of Chopin Performance

11.30 am - 12 am  Irena Poniatowska »
Le piano de Jane Stirling au Musée de l’Université Jagellonne. Une fausse attribution (rapport des recherches)

12 am - 12.30 am 
Discussion

1 pm - 2 pm 
Lunch

2 pm - 2.45 pm 
Concert (Casimir Palace)

[Sesja popoludniowa]
[Przewodniczy]: Sławomira Żerańska-Kominek

3 pm - 3.30 pm  Katarzyna Naliwajek-Mazurek »
Chopin inter arma

3.30 pm - 4 pm  Sławomir Wieczorek »
Chopin in Stalinist Poland

4 pm - 4.30 pm 
Break

4.30 pm - 5 pm  Anna Nowak »
Chopin’s Influence on Piano Mazurkas Written by 20th- Century Polish Composers: From Borrowings to Inspirations

5 pm - 5.30 pm  Małgorzata Gamrat »
«Le Syndrome Chopinien» dans l’oeuvre pianistique d’Alexandre Tansman

5.30 pm - 6 pm 
Discussion


Program 27.02.2010  

ROOM 105
[Sesja przedpoludniowa]: The influence of Chopin and his music
[Przewodniczy]: Maciej Gołąb

9 am - 9.30 am  Elena Esteban Muñoz »
Chopin’s Chamber Music and Piano Soloist Behaviour

9.30 am - 10 am  Nigel Nettheim »
Vladimir de Pachmann and Chopin

10.30 am - 11 am 
Break

11 am - 11.30 am  Harald Manfred Krebs »
Josephine Lang’s Mazurkas: Evidence of Chopin’s Influence in Munich

11.30 am - 12 am  Lidia Kozubek »
Die Ausführungs - und Interpretations - Probleme der Etüden von Chopin aus op.10 und 25 an einigen Beispielen

12 am - 12.30 am  Joachim Draheim
Chopin à quatre mains

12.30 am - 1 pm 
Discussion

1 pm - 2 pm 
Lunch

2 pm - 2.45 pm 
Concert (Casimir Palace)

[Sesja popoludniowa]
[Przewodniczy]: Marie-Paule Rambeau

3 pm - 3.30 pm  Krzysztof Grabowski
L’évolution des premières éditions des oeuvres de Chopin au cours de la seconde moitié du XIXe siècle

3.30 pm - 4 pm  Nicolas Dufetel
Après une lecture de Chopin. Les Préludes à l’épreuve de Liszt. La place et l’interprétation de l’opus 28 dans la mythologie chopinéenne de Liszt

4 pm - 4.30 pm 
Break

4.30 pm - 5 pm  Irena Poniatowska »
L’interprétation « idéale » - exécution des Nocturnes de Chopin par Artur Rubinstein

5 pm - 5.30 pm  Tomasz Nowak »
Fryderyk Chopin in the Context of Trends in Dance Culture from the First Half of the 19th Century

5.30 pm - 6 pm 
Dyskusja

ROOM 106
[Sesja przedpoludniowa]
[Przewodniczy]: Elżbieta Witkowska-Zaremba

9 am - 9.30 am  Andreas Waczkat »
The Meaning and Metaphors of Night in the Nocturnes of John Field and Fryderyk Chopin

9.30 am - 10 am  Adriana Ponce
Coherence as a Non-Linear, End-Oriented Process in Chopin’s Nocturnes

10 am - 10.30 am  David Heyer
Hidden Repetition in Two Chopin ‘Chorale Nocturnes’

10.30 am - 11 am 
Break

11 am - 11.30 am  Konstantin Zenkin
Time in Chopin’s Ballades and Contemporary Romantic Aesthetics

11.30 am - 12 am  Zbigniew Granat »
Chopin the Postmodernist: Redefining Narrativity in Selected Piano Compositions

12 am - 12.30 am 
Discussion

1 pm - 2 pm 
Lunch

2 pm - 2.45 pm 
Concert (Casimir Palace)

[Sesja popoludniowa]
[Przewodniczy]: Jan Stęszewski

3 pm - 3.30 pm  Mieczysław Tomaszewski »
Die Knotenpunkte, Schwellen, Phasen und Fixationen des schöpferischen Weges Chopins

3.30 pm - 4 pm  Helmut Loos
Chopin im Spiegel der Briefe Felix Mendelssohn Bartholdys

4 pm - 4.30 pm 
Break

4.30 pm - 5 pm  Magdalena Oliferko »
Chopin – Liszt – Fontana – Intertextuelle Verbindungen

5 pm - 5.30 pm  Eric McKee »
The Influence of Strauss and Lanner on Chopin’s Waltz in E flat Major, Op. 18

5.30 pm - 6 pm 
Discussion

ROOM 107
[Sesja przedpoludniowa]
[Przewodniczy]: Helmut Loos

9 am - 9.30 am  Barbara Literska »
The Meaning of Chopin’s Original Compositions Dispersed through their 19th- Century Transcriptions

9.30 am - 10 am  Magdalena Chylińska »
Chopin-Liszt-Zarębski: The Reception of Style in Ballades and Berceuses

10 am - 10.30 am  Stephen Downes »
Mannerism, Miniaturism and the ‘Chopinesque’ in the Russian Fin-de-Siècle

10.30 am - 11 am 
Break

11 am - 11.30 am  Barbara Milewski
Chopin, Balakirev, and the Search for Monumental Greatness

11.30 am - 12 am  Iza Nemirovskaya
Ballades in the Works of Chopin and Tchaikovsky

12 am - 12.30 am  Marek Keprt »
Vorformen der Musiksprache von Alexander Skrjabins „mittlerer“ und „später“ Schaffensperiode in den Werken Fryderyk Chopins

12.30 am - 1 pm 
Discussion

1 pm - 2 pm 
Lunch

2 pm - 2.45 pm 
Concert (Casimir Palace)

[Sesja popoludniowa]
[Przewodniczy]: Jim Samson

3 pm - 3.30 pm  Maria Nagore »
Chopin et l’Espagne: nouvelles perspectives

3.30 pm - 4 pm  Yvan Nommick »
Fryderyk Chopin: un modèle fondamental pour Manuel de Falla. Analyse des parentés mélodiques, harmoniques et texturales entre les deux compositeurs

4 pm - 4.30 pm 
Break

4.30 pm - 5 pm  M. Carmen García Mallo »
The Transmission of Chopin’s Technique through Spanish Romantic Piano Pedagogy

5 pm - 5.30 pm  Ruth Piquer Sanclemente
Chopin as Modernist: The Idea of Purity in Spanish Musical Neoclassicism (1915-1939)

5.30 pm - 6.15 pm 
Discussion


Program 28.02.2010  

ROOM 105
[Sesja przedpoludniowa]
[Przewodniczy]: John Rink

9 am - 9.30 am  Alicia C. Levin
Navigating the Virtuoso Mold: Chopin’s Professional Tactics in Paris

9.30 am - 10 am  Sandra P. Rosenblum »
Improvisatory or Purposeful? Divergent Pedalings in Original French and German Editions of Chopin’s Later Works

10 am - 10.30 am  Martin S. Hansen »
Pedalling the Chopin Concertos: Chopin and the Stile Brillante

10.30 am - 11 am 
Break

11 am - 11.30 am  Stephanie Frakes »
Understanding Chopin’s Cantabile

11 am - 11.30 am  Alison Hood »
Structural Coupling in the Coda of Chopin’s Barcarolle

12 am - 12.30 am 
Discussion

1 pm - 2 pm 
Lunch

2 pm - 2.45 pm 
Concert (Casimir Palace)

[Sesja popoludniowa]
[Przewodniczy]: Michał Bristiger

3 pm - 3.30 pm  James Methuen-Campbell
Huneker’s Writings on Chopin - Elitist or Educator?

3.30 pm - 4 pm  Wojciech Bońkowski »
Chopin as Gourmand

4 pm - 4.30 pm 
Break

4.30 pm - 4.45 pm  Cecilio Tieles Ferrer »
Julian Fontana l’introducteur de Chopin à Cuba (rapport des recherches)

4.45 pm - 5.15 pm  Charles Bodman Rae »
Chopin and the Ninth: comparison of the original with a new orchestral version of the Prelude op. 45 (presentation)

5.15 pm - 5.45 pm 
Discussion

ROOM 106
[Sesja przedpoludniowa]
[Przewodniczy]: Hartmuth Kinzler

9 am - 9.30 am  Anatole Leikin »
Cyclic Aspects of Chopin’s Twenty-four Preludes, Op. 28, in Analysis and Performance

9.30 am - 10 am  Mirosław Majchrzak »
Remarks regarding the Chronological Hypotheses for Chopin’s Preludes and Etudes based upon Tonal Structure

10 am - 10.30 am  Bengt Edlund
The Mallorcan Connection

10.30 am - 11 am 
Break

11 am - 11.30 am  Maria Warchoł-Sobiesiak »
Les Préludes op.28 de Frédéric Chopin, étudiés à la lumière des problèmes envisagés par le compositeur dans sa Méthode pour le jeu de piano

11.30 am - 12 am  Antonio Cascelli »
A Prelude as Postlude: a look at Schenker’s graph of the last movement of the Sonata, Op. 3

12 am - 12.30 am 
Dyskusja

1 pm - 2 pm 
Lunch

2 pm - 2.45 pm 
Concert (Casimir Palace)

[Sesja popoludniowa]: The influence of Chopin and his music
[Przewodniczy]: Mieczysław Tomaszewski

3 pm - 3.30 pm  Hartmuth Kinzler »
Zwei generative Ideen in Chopins Präludiensammlung op. 28

3.30 pm - 4 pm  Norbert Müllemann »
Skizzennotate aus der Warschauer Zeit – Keimzellen zu den Etüden op. 10 und op. 25?

4 pm - 4.30 pm 
Break

4.30 pm - 5 pm  Krzysztof Bilica »
Polnische Kadenz in Chopin-Werken als Ausdruck des Einflusses der polnischen Sprache auf die nationale Musik

5 pm - 5.30 pm  Krzysztof Rottermund »
Chopin und das Beethoven-Denkmal in Bonn

5.30 pm - 6 pm 
Discussion

ROOM 107
[Sesja przedpoludniowa]
[Przewodniczy]: Harald Manfred Krebs

9 am - 9.30 am  Jiří Kopecký »
Fryderyk Chopin and the Concept of ‘Czechslavonic Style’

9.30 am - 10 am  Agnieszka Nadolska »
Between the Inspiration and Influence of Chopin’s Music on the Piano Works of Bortkiewicz

10 am - 10.30 am  Audrone Žiūraitytė »
Chopin and his Music in the Works of Lithuanian Composers

10.30 am - 11 am 
Break

11 am - 11.30 am  James William Sobaskie »
Chopin’s Legacy in France: The Music of Gabriel Fauré

11.30 am - 11.45 am  Knud Ketting »
A Century of Danish Chopin Reception (research report)

11.45 am - 12.15 am  Eva Maria Jensen »
The Reception of Chopin in Denmark – Historical and Aesthetic Analysis

12.15 am - 12.45 am 
Discussion

1 pm - 2 pm 
Lunch

2 pm - 2.45 pm 
Concert (Casimir Palace)

[Sesja popoludniowa]
[Przewodniczy]: Maciej Jabłoński

3 pm - 3.30 pm  Marcin Krajewski »
Schoenberg’s Chopin

3.30 pm - 4 pm  Christopher Mark »
Back to the Future: Chopin in Smalley

4 pm - 4.30 pm 
Break

4.30 pm - 5 pm  Arnfried Edler »
Chopin und die Neuromantik

5 pm - 5.30 pm  Nada Hrčkova
Warum Chopin? Zur kompositorischen Resonanz im zeitgenössischen Musikschaffen (hauptsächlich in der Slowakei)

5.30 pm - 6 pm 
Discussion


Program 1.03.2010  

AUDITORIUM
[Sesja panelowa]: Chopin in contemporary culture
[Przewodniczy]: Halina Goldberg

9 am - 11 am 
Discussion

9 am - 11 am  Barbara Pabjan
Reception of Chopin and his Music in Polish Society

9 am - 11 am  Rafał Ciesielski »
Chopin als Merkzeichen auf dem Kulturmarkt

9 am - 11 am  Barbara Barry »
‘The Pianist’ Plays: Chopin’s G Minor Ballade as Reflexive Narrative

11 am - 11.15 am 
Closing of the Congress