Congress Programme Congress Programme

Program 28.02.2010  

ROOM 105
[Sesja przedpoludniowa]
[Przewodniczy]: John Rink

9 am - 9.30 am  Alicia C. Levin
Navigating the Virtuoso Mold: Chopin’s Professional Tactics in Paris

9.30 am - 10 am  Sandra P. Rosenblum »
Improvisatory or Purposeful? Divergent Pedalings in Original French and German Editions of Chopin’s Later Works

10 am - 10.30 am  Martin S. Hansen »
Pedalling the Chopin Concertos: Chopin and the Stile Brillante

10.30 am - 11 am 
Break

11 am - 11.30 am  Alison Hood »
Structural Coupling in the Coda of Chopin’s Barcarolle

11 am - 11.30 am  Stephanie Frakes »
Understanding Chopin’s Cantabile

12 am - 12.30 am 
Discussion

1 pm - 2 pm 
Lunch

2 pm - 2.45 pm 
Concert (Casimir Palace)

[Sesja popoludniowa]
[Przewodniczy]: Michał Bristiger

3 pm - 3.30 pm  James Methuen-Campbell
Huneker’s Writings on Chopin - Elitist or Educator?

3.30 pm - 4 pm  Wojciech Bońkowski »
Chopin as Gourmand

4 pm - 4.30 pm 
Break

4.30 pm - 4.45 pm  Cecilio Tieles Ferrer »
Julian Fontana l’introducteur de Chopin à Cuba (rapport des recherches)

4.45 pm - 5.15 pm  Charles Bodman Rae »
Chopin and the Ninth: comparison of the original with a new orchestral version of the Prelude op. 45 (presentation)

5.15 pm - 5.45 pm 
Discussion

ROOM 106
[Sesja przedpoludniowa]
[Przewodniczy]: Hartmuth Kinzler

9 am - 9.30 am  Anatole Leikin »
Cyclic Aspects of Chopin’s Twenty-four Preludes, Op. 28, in Analysis and Performance

9.30 am - 10 am  Mirosław Majchrzak »
Remarks regarding the Chronological Hypotheses for Chopin’s Preludes and Etudes based upon Tonal Structure

10 am - 10.30 am  Bengt Edlund
The Mallorcan Connection

10.30 am - 11 am 
Break

11 am - 11.30 am  Maria Warchoł-Sobiesiak »
Les Préludes op.28 de Frédéric Chopin, étudiés à la lumière des problèmes envisagés par le compositeur dans sa Méthode pour le jeu de piano

11.30 am - 12 am  Antonio Cascelli »
A Prelude as Postlude: a look at Schenker’s graph of the last movement of the Sonata, Op. 3

12 am - 12.30 am 
Dyskusja

1 pm - 2 pm 
Lunch

2 pm - 2.45 pm 
Concert (Casimir Palace)

[Sesja popoludniowa]: The influence of Chopin and his music
[Przewodniczy]: Mieczysław Tomaszewski

3 pm - 3.30 pm  Hartmuth Kinzler »
Zwei generative Ideen in Chopins Präludiensammlung op. 28

3.30 pm - 4 pm  Norbert Müllemann »
Skizzennotate aus der Warschauer Zeit – Keimzellen zu den Etüden op. 10 und op. 25?

4 pm - 4.30 pm 
Break

4.30 pm - 5 pm  Krzysztof Bilica »
Polnische Kadenz in Chopin-Werken als Ausdruck des Einflusses der polnischen Sprache auf die nationale Musik

5 pm - 5.30 pm  Krzysztof Rottermund »
Chopin und das Beethoven-Denkmal in Bonn

5.30 pm - 6 pm 
Discussion

ROOM 107
[Sesja przedpoludniowa]
[Przewodniczy]: Harald Manfred Krebs

9 am - 9.30 am  Jiří Kopecký »
Fryderyk Chopin and the Concept of ‘Czechslavonic Style’

9.30 am - 10 am  Agnieszka Nadolska »
Between the Inspiration and Influence of Chopin’s Music on the Piano Works of Bortkiewicz

10 am - 10.30 am  Audrone Žiūraitytė »
Chopin and his Music in the Works of Lithuanian Composers

10.30 am - 11 am 
Break

11 am - 11.30 am  James William Sobaskie »
Chopin’s Legacy in France: The Music of Gabriel Fauré

11.30 am - 11.45 am  Knud Ketting »
A Century of Danish Chopin Reception (research report)

11.45 am - 12.15 am  Eva Maria Jensen »
The Reception of Chopin in Denmark – Historical and Aesthetic Analysis

12.15 am - 12.45 am 
Discussion

1 pm - 2 pm 
Lunch

2 pm - 2.45 pm 
Concert (Casimir Palace)

[Sesja popoludniowa]
[Przewodniczy]: Maciej Jabłoński

3 pm - 3.30 pm  Marcin Krajewski »
Schoenberg’s Chopin

3.30 pm - 4 pm  Christopher Mark »
Back to the Future: Chopin in Smalley

4 pm - 4.30 pm 
Break

4.30 pm - 5 pm  Arnfried Edler »
Chopin und die Neuromantik

5 pm - 5.30 pm  Nada Hrčkova
Warum Chopin? Zur kompositorischen Resonanz im zeitgenössischen Musikschaffen (hauptsächlich in der Slowakei)

5.30 pm - 6 pm 
Discussion